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Virtual Visits: Kirkland Museum of Fine & Decorative Art


Kirkland Museum of Fine & Decorative Art

As Chris mentioned in our last post, we are not Driving for Deco much right now. But it doesn’t mean we can’t “visit” some great museums. Thanks to the internet some of the best Art Deco collections are literally at our fingertips. One of the places at the top of our driving list is the Kirkland Museum of Fine & Decorative Art, in Denver, Colorado.

 

Vintage postcard of Denver Colorado.

VIntage Denver, Colorado postcard. Image from flickr.com.

The Kirkland Museum landed on our radar after being feature on The Antiques Road Show in 2010. Roadshow was there highlighting their very large collection of Ruba Rombic glass.

Vance Kirkland (1904 - 1981)

Vance Kirkland in front of his studio at 1311 Pearl Street, 1941. Photo courtesy of the Denver Public Library, Western History Collection, WH1062

In 1929, the University of Denver hired Kirkland to become their founding director of the School of Art. He only held the position for three years before resigning over a dispute with the University not granting credit for art courses toward graduation. Upon leaving the University he leased the Arts and Crafts style building at 1311 Pearl Street and opened the Kirkland School of Art in 1933. Classes he taught there were accredited by the University of Colorado. When he returned to the University of Denver as director of the School of Art in 1946, the Pearl Street building became his studio. Although he retired from academic life in 1969, Kirkland continue to paint up to his death in 1981. Being predeceased by his wife and having no children he will his estate to friend, Hugh A. Grant.

 

Hugh A. Grant

Hugh A. Grant, the Kirkland’s founding director and curator. Image from bonfils-stantonfoundation.org

 

 

 

Under Hugh A. Grant the founding director and curator, the museum started taking shape. Construction began in 1998 on a 8,830 square foot addition to the original studio for exhibition space and visitor amenities. Completed in 2000, the museum opened to the public in 2003.

 

Kirkland's original studio and the first home of the museum.

1311 Pearl Street. Vance Kirkland’s original studio and part of the museum’s first home. Image from kirklandmuseum.org.

 For thirteen years this was the home of the Kirkland Museum. The museum houses three primary collections:

1. International Decorative Arts, featuring objects from most of the major decorative movements between 1875 – 1990.

2. The Colorado / Regional Collection which includes over 7,000 works by 700 local artists.

3. Kirkland Retrospective highlighting his 55 years of paintings.

 

Using a salon-style to display collection items is somewhat unusual for museums. Instead of separating fine art from decorative art they are displayed together, much like in a home. And by placing furniture on the floor allows visitors to experience the pieces in their intended perspective.

 

The Art Deco Collection at the Pearl Street location.

The Art Deco collection as it was displayed at the Pearl Street location. Image from kirklandmuseum.org.

 

It only took less than a decade to realize a larger space would be needed. In 2016 construction began on the present museum. Because Kirkland’s studio was so integral to their identity it also made the move to its present location. At 1201 Bannock Street, in Denver’s Golden Triangle Creative District, the new Kirkland is more than four times the size of the original. The new building opened on March 10, 2018.

 

The new Kirkland Museum.

The Kirkland Museum at 1201 Bannock Street. Photo by Daniel Holton from Facebook.

 

Now that we’ve set the stage, here’s how to “visit” the Kirkland virtually. Start by going to the museum’s home page at kirklandmuseum.org.

 

Kirkland Museum's home page.

Home page at kirklandmuseum.org.

 

There are two ways to view the museum’s items: for in depth details about select pieces, select collections from the header. Then click on “SEARCH COLLECTION HIGHLIGHTS” from the drop down menu.

 

Choose search collection highlights.

Choose search collection highlights.

Once the “Collection Search” window pops up, type in “Art Deco” and hit enter.

Collection search window.

The Collection Search window.

 

 

Here are the results. To learn more about any of these items, just click on the photo.

Search collection results.

Results of “Search the Collection”.

 

I really love the black chair by Wolfgang Hoffmann. So to learn more about it, I’m going to click on its photo.

 

Wolfgang Hoffmann lounge chair.

Information about the Wolfgang Hoffmann, Art Deco lounge chair.

 

And here is a lot of great information about this item. Facts about the designer, when the chair dates from, its manufacturer, dimensions to what gallery it is on view in.  And when you are done with this slide, clicking on the “Art Deco” tab on top, will bring up even more great collection pieces.

Kirkland's Art Deco collection highlights.

Highlights of the Kirkland Museums Art Deco Collection.

It’s impossible for a museum to have all of its collection on display. But by going to a museum’s website one can see much more of the collection. I think the Kirkland Museum is an exception to this rule. It seems there’s a lot more of its Art Deco collection on display, than online. I found this out by “walking” through the museum on their virtual tour. To begin “click” on the “Explore our Virtual Exhibition Online!” window. That will take you to the page with the “Take a 360 Degree Virtual Tour!”

 

The start of the Kirkland Museum's virtual visit.

The “entrance” to the virtual tour on the Kirkland Museum’s Home page.

 

 

This works just like Google Street View, so click on the arrows and start to explore.

 

Kirkland Museum admission desk.

The Kirkland’s admission desk.

 

Here are some of the great Art Deco pieces I saw on my tour.

 

Display case of Art Deco, ceramics, metal and glass pieces.

Art Deco glass, ceramics and metal works.

 

This display case features ceramics by Viktor and Paul Schreckengost, Chase metal work including the Pretzel Man by Lurelle Guild and some wonderful glass items.

 

More Art Deco glass and ceramics, including Ruba Rombic.

More Art Deco glass and ceramics.

Here is another case chock full of Art Deco glass and ceramics. Not only do they have Reuben Haley’s Ruba Rombic glassware he designed for Consolidated Glass in 1928, there’s also his Ruba Rombic ceramics he made for Muncie Pottery. Also in the case are pieces in the Tearoom and Pyramid patterns by Indiana Glass. And in the lower right is Norman Bel Geddes’ Manhattan cocktail set (tray, shaker and two cups) for Revere.

 

Salon setting for larger pieces, including furniture and paintings.

Salon setting for furniture , accessories and paintings.

 

A few of the Deco standouts in this Salon Setting are, a teal and gold Skyscraper bookcase by Paul Frankl, circa 1927. There’s the Wolfgang Hoffmann lounge chair, a machine age Pattyn Products Company table lamp, circa 1935 attributed to Walter von Nessen. And a wonderful green leather and aluminum tube chair by Warren McArthur.

 

Another Kirkland Museum Salon Setting, with pieces by Gilbert Rohde, Walter von Nessen and Paul Frankl.

Another setting with a impressive pieces.

 

Aside from a couple of great chairs and a terrific rug, the standout in this grouping the sideboard. This is a piece designed in 1933 by Gilbert Rohde for the Herman Miller Furniture Company. Sitting on top is the Chase Coronet Coffee service, another von Nessen design. And all the way on the right of the case is Paul Fankl’s Modernique or Fifty Dollar clock (because that how much it cost in 1929) made by Telechron.

 

This was just the tip of the iceberg of their collection of over 4,400 pieces. So when it is really safe to travel and gather together once more, consider making the Kirkland Museum a place to visit. You might even see us there.

 

Exterior of the Kirkland Museum.

Exterior of the Kirkland Museum on Bannock Street. Photo by Wes Magyar, from kirklandmuseum.org.

 

Anthony & Chris – The Freakin”tiquen Guys.

 

 

Belle Kogan – 20th Century American Industrial Designer

On a recent trip to one of our local thrift stores, Anthony purchased a silver plate serving dish with a strong streamline design. He instinct made him believe it from the 1930’s. Other than the manufacture’s mark, we knew nothing about it. One of the best parts of researching our finds is learning and educating ourselves about new (to us) designers.

 

Reed & Barton serving dish, designed by Belle Kogan.

1936 Reed & Barton silver plate serving dish, designed by Belle Kogan. From the collection of the author.

The underside of the serving dish.

The underside of the serving dish Belle Kogan designed for Reed & Barton in 1936. From the collection of the author.

 

Made by Reed & Barton and numbered 1605, the markings enabled us to easily research the piece.

Reed & Barton mark on the underside of the Kogan serving dish.

Reed & Barton mark on the underside of the Kogan designed serving dish. From the collection of the author.

 

Belle Kogan designed serving dish.

Serving dish, Reed & Barton silver plate, a Belle Kogan design. From the collection of the author.

Apropos to Women’s History Month we found the designer to be Belle Kogan. She is a pioneer for women in the field of industrial design because she broke through the barriers in a field dominated by men.

 

Belle Kogan "Godmother of Industrial Design" (photo via web)

Belle Kogan “Godmother of Industrial Design” (photo via web)

Born Bella Cohen in Ilyashevka, Russia in 1902 and emigrating with her family to the Allentown, Pa. in 1906, she showed an early interest in art. A teacher, recognizing her natural talent, suggested she enroll in Mechanical Drawing classes.

But on her first day Belle quickly realized she was the only female in the class. A portent of thing to come.

After graduating high school, Belle taught mechanical design to earn enough money to attend Pratt Institute. However the reason for leaving Pratt is unclear. And whether dropping out of her own choosing or pulled out by her father to raise her younger siblings and managing the family jewelry business is up for debate.

Moreover working almost a decade for her father, frustrated by life and in response to her father’s wishes she get married, Belle said:

“Well, I’m going to have a career, goodbye… I am never going to get married and I am never going to have children. I had a family all my life I helped raise. I helped you in business. I want a life of my own.*”

(*Pat Kirkman’s book, Woman Designers in the USA 1900-2000: Diversity and Difference; and Modernism in American Silver by Jewel Stern)

Then in 1929 at the beginning of what became the great depression, her luck changed. The Quaker Silver Company took a chance on the new designer, offering her the opportunity to design pewter and silver items. And pleased with her work, they paid her tuition to study design in Rhode Island, France, Germany, and Czechoslovakia that same year. She credits this opportunity with her understanding that design was work, it didn’t just happen.

As a result of her hard work and being a trusted employee, Quaker Silver offered her the opportunity to set up her own studio as a freelance designer.

And so in 1931, Belle opened the Belle Kogan and Associates in New York City becoming one, if not the first, woman to open her own design firm. But she struggled at first. Securing an appointment with a prospective client (a large appliance manufacturer), they refused to meet with her. Because, they thought they would be meeting with Mr. Belle Kogan. Unfazed, she collected her consulting fees and left.

Unfortunately, this would be repeated several times in her early career. Often, dismissed by men solely based on her gender. Or worse, prospective male clients wanting a more personal relationship over the professional one she hoped to cultivate.

Her innovative and elegant designs eventually attracted high-end clients. For Reed & Barton, she designed silver plate serving pieces with a modern, linear design,  including the serving dish Anthony found.

 

Belle Kogan's covered double vegetable dish for Reed & Barton, 1936.

Belle Kogan’s double vegetable dish, manufactured by Reed & Barton in 1936. Image from www.core77.com

And for Telechron the whimsical duck-shaped alarm clock.

 

In addition, for Zippo, sleek modern lighters.

Subsequently she designed jewelry for Tiffany and Co. And then created the successful Belle Kogan 100-line (1938-1940) for Red Wing Pottery.

 

Likewise for Red Wing Potteries, her Prizmatique line (1962).

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Moreover, she worked in every medium: wood, glass, ceramic, plastics, and metals. Above all, by 1939, she supported fellow female designers by hiring three women to assist in her design firm.

Eventually Belle closed her New York studio in 1970 and moved to Israel to work with KV Designs. Subsequently leaving them is 1972, she became a highly sought design consultant.

And true to her word, she never married and had no children. Finally recognized for her contributions to 20th century design, the “Godmother of Industrial Design” passed away in 2000 living life on her terms.

 

Chris & Anthony (The Freakin’, ‘Tiquen Guys)