Tag Archives: Walter Von Nessen

Chase Speciality Line

Chase Brass & Copper logo.

Chase Brass & Copper logo. Image from a 1934 advertisement.

As mentioned at the end of our “There’s no place like Chrome” Driving For Deco post, even though I collected Art Deco pieces, actively acquiring chrome items came later. In 1999 I purchased a Chase Bubble Cigarette Holder for $3.00.

 

Chase Chrome Bubble Cigarette Server.

The Chase Bubble Cigarette Server, available from 1937-1941. From the collection of the author.

Getting that first piece started a trickle of other chrome items. Within a few years the trickle became a flood. And since I now was looking, there seem to be Chase pieces everywhere.

Chrome, with its clean, cold look, appeals to my “Deco aesthetic” and the chrome items look great on my cobalt mirror tables.

 

Chase Blue Moon Cocktail set.

Chase Blue Moon Cocktail set on my coffee table.

 

Chase Antelope ashtray on blue mirror top table.

My Chase chrome and glass Antelope Ash Receiver on one of my blue glass tables.

Another nice feature of Chrome is it does not tarnish, so unlike silver it will never need polishing. During the 1930s lots of companies sold chrome items. But one company stood out from the others, not only in terms of quality but also in the variety of products. And that was the Chase Brass and Copper Company.

Henry Sabin Chase founded the Chase Brass & Copper Co. of Waterbury Connecticut in 1876. Soon after opening the company became one of the leading manufactures of industrial brass products in the United States. In 1929 the company became a subsidiary of Kennecott Utah Copper. The same year Chase opened business offices at 10 East 40th Street in Manhattan. In honor of being the first tenant the building became known as the Chase Tower.

 

The Chase Tower on January 8, 1930.

The Chase Tower at 10 East 40th Street, New York City. Photo by Samuel H. Gottscho taken on January 8, 1930. From the collection of mcny.org.

 

During the 1930s to say that the economy was bad is an understatement.  The Great Depression put a strangle hold on business. Needing to reach new customers some companies reinvented themselves. As for Chase Brass & Copper this meant starting a whole new division. By adapting items like brass pipes and toilet tank floats into vases and syrup jugs, in 1932 the Chase Specialty line was born. High quality products at reasonable prices set the standard in this new industry. A stable of designers, in house and from outside, created these very modern items.

 

During the Specialty Line’s early production a copper finish on items predominated. But once Chase perfected their Chrome plating process, that became the most popular. And while many companies offered chromium plated items, their finishes were plated over rustable metals, such as steel. This lead to pieces becoming pitted and the thin veneer chrome wore off over time. Chase chose to use brass or copper, both non-rustable, as their base metal. Then nickel plating applied before finally applying a heavy coating of Chrome. As a result many Chase products look as good today as they did in the 1930s.

 

Gerth & Gerth's Four Tube Bud Vase for Chase.

The Chase Four Tube Bud Vase in chrome and copper and brass, designed by the husband and wife team of Gerth & Gerth. From the author’s collection.

 

The Four Tube Bud Holder, pictured above, is a perfect example of adaptive use. Thin pipes of varying lengths were transformed into an ultra-modern piece. The main tube rising from the ringed circular base had the smaller tubes attached to it. Credit for this piece goes to the husband and wife team of William and Ruth Gerth. In reality it is most likely the creation of Ruth Gerth alone. Part of the Specialty Line for its entire run, it retailed for $1.25. Today the Four Tube Bud Holder is one of the more common pieces of Chase on the collector’s market.

 

Ruth Gerth in the 1940s, after the demise of the Chase Specialty line.

Ruth Gerth in the 1940s. Photo from eichlernetwork.com.

Another pre-1933 Gerth and Gerth Chase piece is the Dinner Gong. Unlike the Four Tube Bud Holder, the Dinner Gong is not easy to find. Discontinued in 1933 its production life was only about a year or so. Available in copper or chrome it has a book value of about $160.00.

 

The copper version of the Chase Dinner Gong.

Gerth and Gerth’s 1932 Dinner Gong and striker. From the collection of the author.

 

With The Glow Lamp of 1933, one can see Ruth Gerth’s transformation of a toilet float into a charming little lamp. Offered in copper, chrome or combination of half copper and white paint or chrome with black paint. Retailing for $1.25 ($26.00 in 2021) for copper or $1.50 ($31.00 in 2021) for chrome, they stayed in production until the late 1930s.

 

The Chase Glow Lamp by Ruth Gerth.

Ruth Gerth’s Glow Lamp for Chase. From the collection of the author.

 

German immigrant, Walter Von Nessen, made his name by creating very modern lamps. Hired by Chase in the early 1930s, his designs for the company became some of their best selling items.

Walter Von Nessen in the 1930s.

Walter Von Nessen in the 1930s. Photo from Modernism.com

And like Ruth Gerth, Von Nessen readapted ordinary pieces in the Chase inventory to create strikingly modern items, like the Taurex Candleholders. For these Von Nessen took an ordinary curved pipe mounted and mounted it on a circular base.

 

Walter Von Nessen's Chase Taurex Candleholder, even style.

Walter Von Nessen’s even Taurex Candleholder. From the author’s collection.

The two style of the Taurex candleholders, even and uneven, introduced in 1933 were the most popular in the Chase specialty line. Like most pieces in the line they were finished in chrome and copper. The chrome must have been more popular as those are found more easily on the collectors market. This is also true of the uneven version, which Chase kept in production up to 1939. The even style was discontinued in 1936.

 

The Uneven Taurex Candleholder.

Chase’s Uneven Taurex Candleholder by Walter Von Nessen. From the collection of the author.

During the first couple of years of the Chase Specialty Line, Von Nessen designed a series of bookends. And like the Taurex candleholders, he created strikingly modern or whimsical pieces from the Chase inventory of pipes, rivets, ball bearings and other items. Because of their short production life, most of these bookends were discontinued in 1933.  Today they are hard to find and command premium prices. And rank high on my  Chase most wanted list.

Whimsical Bookends

Architectural Bookends

 

 

By 1933 chrome plating over took the copper and brass finishes and the Specialty Line really began to take off. Chase greatly expanded the line during the 1930s. Driving For Deco will be taking a look at the different aspects of the Chase Specialty Line in future posts.

Anthony & Chris (The Freakin’, Tiquen’ Guys)

SOURCES

CHASE COMPLETE: Johnson, Donald-Brian & Pina, Leslie; A Schiffer Book

ART DECO CHROME BOOK 2: Kilbride, Richard J.; Jo-D Books

THE CHASE ERA: Johnson, Donald-Brian & Pina, Leslie; A Schiffer Book

Virtual Visits: The Art Institute of Chicago

1930 Illinois Central travel poster. Circa 1930 Illinois Central travel poster. Image from amazon.com.

 

The Art Institute of Chicago is one of the largest and renowned art museums in the United States. Among its collection are some of the most famous paintings in the world. And no trip there is complete without seeing, George Seurat’s A Sunday of La Grande Jatte (1884-1886),

 

A Sunday on La Grande Jatte, by George Seurat, from the collection of the Art Institute of Chicago. A Sunday on La Grande Jatte, by George Seurat (1884-1886). In the Collection of the Art Institute of Chicago. Image from Wikipedia.

 

American Gothic, the 1930 painting by Grant Wood,

 

Grant Wood's 1930 painting, American Gothic, now part of the collection of the Art Institute of Chicago. American Gothic (1930), by Grant Wood. Image from Wikipedia.

 

and a personal favorite, the 1942 painting Nighthawks, by Edward Hopper.

 

The 1942 painting Nighthawks, by Edward Hopper. Nighthawks, Edward Hopper’s 1942 painting. Image from Wikipedia.

Former members of the Chicago Academy of Design founded The Chicago Academy of Fine Arts in 1879. That same year they acquired the assets of the Academy of Design at a bankruptcy auction. Changing their name to The Art Institute of Chicago in 1882 they also moved to a building on Michigan Avenue. Needing more space the institute built a new impressive building on the lot directly to the south in 1887. But with the coming of the Columbian Exposition in 1893, the art institute decided on a new home in Grant Park along Michigan Avenue. Constructed for the fair the Art Institute moved to their new and permanent home on October 31, 1893.

 

The 1893 building for the Art Institute of Chicago. The Art Institute of Chicago. Built for the 1893 World’s Fair in Grant Park. Image from Tripadvisor.

Now that we’ve seen some highlights, let’s start our virtual visit. I have to say that the Art Institute has one of the most user friendly websites of any museum. Here is the homepage where your “visit” begins at artic.edu.

 

Homepage for the Art Institute of Chicago. The Art Institute of Chicago homepage.

Once here, click the magnifying glass in the upper right. That will take you to this window.

 

The search page. The search page.

 

In the light gray box, I used Art Deco as my keyword search term. And here were my results.

 

The results of the Art Deco keyword search. The results of the Art Deco keyword search.

 

From here, scroll down to the middle of the page to see the collection items.

 

Art Deco Collection items. The start of the Art Institute’s Art Deco collection items.

 

As you can see, this search brought up a total of nearly 35,000 items. If this is too daunting a number (and not all of these are Deco items, this is bringing up any item with the words Art and Deco). There are ways to ratchet this search down. Click on “See all 34846 artworks”.

 

Using the filters to ratchet down the number of items in the search. Using filters to refine the search.

 

That will bring you to this window. On the left side of the screen there are filters to help refine the search. I keep “SORT” on relevance and move “DATE” to begin at 1900. Then click “OK”.

 

Results after refining the search using the built in filters. Results after refining the search using the built in filters.

 

This brought the search down to a reasonable 13,188 items. Now you can spend the next few hours enjoying some amazing Art Deco items and art works. Here are some of the items that caught Chris and my eyes.

 

Chris’s Picks

 

Protodeco Danish vase by Effie Hegermann-Lindencrone. Covered Vase (1916) by Effie Hegermann-Lindencrone.

 

KEM Weber arm chair (1928/1929) for the Grand Rapids Chair Company. KEM Weber arm chair (1928/1929) for the Grand Rapids Chair Company.

 

Deer and Hinds vase, 1924. 1924 Deer and Hinds vase by Boch Frères Keramis, designed by Charles Catteau.

 

Limoges vase, circa 1930. Limoges vase by Bernardaud & Co., circa 1930.

 

1925 Les Fontaines plate by Johnson Brothers. 1925 Les Fontaines plate by Johnson Brothers.

 

Anthony’s Picks

 

Carpet, made in France, circa 1925. Carpet, made in France, circa 1925.

 

Diana the Huntress, wall panel. André Marty wall panel of Diana the Huntress, 1925.

 

Skycraper Cabinet designed by Paul Frankl, 1927. Skycraper Cabinet designed by Paul Frankl, 1927.

 

Table Lamp by Walter von Nessen, 1930. 1930 Table Lamp by Walter von Nessen.

 

Casino Ware Tureen, 1932-1934. Casino Ware Tureen, Royal Doulton, 1932-1934.

 

And collection  item we both picked

 

Russel Wright spun aluminum and cork cocktail set, 1930. Cocktail Set Model 326 designed by Russel Wright in 1930.

 

These are only a very few of the many Art Deco items in the Art Institute of Chicago’s collection. Chicago is a city that Chris and I have only visited briefly once. It is full of Art Deco treasures, so I know we will be Driving for Deco there once the pandemic is no longer with us.

 

Anthony & Chris (The Freakin’, Tiquen’ Guys)